Thứ Hai, 31 tháng 8, 2015

A key to directing

Just finished directing another episode of INSTANT MOM that was written by that sparkling young writing team of Annie Levine & Jonathan Emerson. I’d like to thank them for writing in stunts and a dog. But it was a terrific script and INSTANT MOM has a fabulous cast headed by Tia Mowry-Hardrict, Michael Boatman, and Sheryl Lee Ralph. Beginning on September 19th it returns to TV LAND with all new episodes from 8-9 PM every Saturday. Every...

Chủ Nhật, 30 tháng 8, 2015

Inside THE PRICE IS RIGHT

Today is my daughter Annie's birthday. So as a salute I thought I would reprise something she wrote for the blog a few years ago. Thanks for being such a wonderful daughter. And for being funny. I love you.My daughter Annie recently attended the taping of THE PRICE IS RIGHT and along with her writing partner, Jon Emerson files this account of it: Recently, a friend of mine came to visit and wanted to do something “touristy” in the city. I...

Thứ Bảy, 29 tháng 8, 2015

Why I'm glad I got out of radio

I thank “Kung Fu Fighting.” I was a disc jockey in San Diego in 1974 working the 7-midnight shift. Although we were called a Top 40 station, our playlist was more like Top 20. Research suggested that repetition was the key to rating success so we played the same damn records over and over. The “power” rotation was like five records that played every 70 minutes or so. There were nights when “Kung Fu Fighting” would come up four times a...

Thứ Sáu, 28 tháng 8, 2015

Friday Questions

Yes, it’s that time of the week again.Ted O'Hara with the first Friday Question:Have you ever found that you've boxed yourself in on future stories due to some plot detail in a past show that seem innocuous at the time? And if so, how did you get out of it? Yes, it's happened.  You generally try to let time pass and hope no one notices. And yes, that's the chicken shit solution.  In only the second episode of CHEERS we introduced Sam’s...

Thứ Năm, 27 tháng 8, 2015

Actors breaking up in the middle of a scene

Here’s one of those Friday Questions that became an entire post. It’s from Tyler: Do sitcom directors tend to be more amused or irritated by repeated takes being blown by one or more actors in a scene laughing and giggling? Have you worked with any actors who got irked by co-stars who repeatedly did so? I've just been re-watching all the Seinfeld blooper reels (often as funny as the show itself) and Michael Richards at times gets clearly annoyed...

Thứ Tư, 26 tháng 8, 2015

Are "stories" still important?

A lot of Millineals say no. They point out that webisodes are very popular and a recent survey claimed that 2:26 is the optimum length. So who needs to kill themselves coming up with stories? They’re a royal pain in the ass to concoct and audiences prefer their entertainment in bite-sized portions. Who needs an ingenious beginning, middle, and end when you can show a cat trying to climb a greased pole? Here’s the problem with that theory (besides...

Thứ Ba, 25 tháng 8, 2015

THE MAN FROM UNCLE -- THRUSH couldn't kill him but Guy Richie did

THE MAN FROM UNCLE wasn’t just bad. It was downright insulting. I shouldn’t be surprised. It was done by Guy Richie who is the king of style over substance. But this screenplay was so incomprehensible that it was clear Richie didn’t care. There wasn’t even an attempt to fill the audience in or plug up ridiculous logic holes.   Instead, the screen was filled with slick, glossy, absurd action sequences, and ‘60s tropes. What he was...