Thứ Sáu, 14 tháng 2, 2014

Friday Questions

What better way to spend my birthday than to answer Friday Questions? Oh yeah, Happy Valentine’s Day too. Good luck getting a dinner reservation.  

And in case you missed my last post, I am selling my memoir -- THE ME GENERATION... BY ME (GROWING UP IN THE '60s) for only $0.99 today and tomorrow only.  Here's where you go to order yours. 

B Smith has a question from down under:

Ken....the new series of So You Think You Can Dance Australia commences shortly, and a lot of the publicity centers on one of the new judges: Paula Abdul.

Is there anything we should look out for when she's on?

Well, she’s nuts. But that’s the good news. She will often appear drunk or stoned. She will make absurd comments and her critiques will be jaw dropping (even though she does know choreography). If there’s a hot young guy she’ll practically throw herself at him.

AMERICAN IDOL was never as good after she left.

But I fully expect her to say at some point, “How come you people all talk funny?”

Chris asks:

When you go outside with a multi-cam show, does the setup turn into single camera or do you still shoot with 4 cameras? Have you ever directed an episode where you had to shoot outside?

You shoot it single camera. I’ve done many outside shoots. My very first one was for the Al Franken sitcom, LATELINE. We went out to Griffith Park to film a scene of the senator and fellow cast member, Robert Foxworth horseback riding. On the first take Foxworth threw out his back. We had to summon an ambulance and it took three paramedics a half hour to gingerly get him off the horse. "that's a wrap, everybody."

Every studio seems to have a New York street and I’ve filmed on the one at Paramount, 20th Century Fox, and CBS Radford.

I filmed a scene once in a crowded movie theater. But my favorite was a scene from a DHARMA & GREG I directed. We shot it at Ghiradelli Square at night. I had a crane, a tower, and one hundred extras. That was great fun. Then we shot a car speeding through the streets of San Francisco. FAST & FURIOUS ½.

From Dan Bell:

What are some of the most classic, funniest moments in TV history that you've witnessed as they were performed on the set, while the tapes were rolling? Is there a top moment that ranks as the best in your memory?

I was on the stage at CHEERS when Sam and Diane had their first kiss. The audience went nuts, and I still say that was the peak moment of the series, even though they made 200+ more episodes.

Watching our first MASH being filmed was pretty breathtaking. Hearing Alan Alda and Harry Morgan say our words was almost surrealistic.

Same with seeing Johnny Carson do a monologue that we had written getting big laughs from a TONIGHT SHOW audience. That was the filming of the CHEERS episode we wrote where Cliff gets a joke on THE TONIGHT SHOW.

I was there for the first and last episodes of CHEERS, WINGS, and FRASIER.

But if I had to pick one – it would clearly be being in the audience during the filming of the famous “Chuckles Bites the Dust” episode of THE MARY TYLER MOORE SHOW. From the first scene we knew we were witness to something extraordinary.

Jeff Hysen has a MASH question:

Tell us about how you crafted Lt. Patty Haven. I've always loved her two scenes with Radar. When After-MASH was on, I was hoping that she would be Radar's wife. Was that considered?

We wanted Radar to find love and send him back home with something to look forward to. Also, as originally conceived “Goodbye Radar” was supposed to be the final episode of season 7. CBS asked if we could make two episodes and save it for November sweeps the next season. So that’s what we did. And in expanding the story we added the romantic subplot. (How's that for a Valentine's Day tie-in?)

By the way, a former girlfriend of mine was Patty Haven.

Gary Burghoff did not want to do AfterMASH so there were no discussions, although he did guest in one episode. Can I be honest? David and I wrote that episode and I don’t remember anything about it, except that the great Larry Gelbart directed it.

Again, Happy VD.

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